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Description: 'The Best Films' Page 7
Newspaper published in: Washington, D. C.
Washington Times March 27, 1915 'The Best Films' Page 7
TODAY'S BEST FILMS
By Gardner MACK.
Herbert RAWLISSON and Anna LITTLE in “The Black Box,” Third Installment, the Maryland, 616 Ninth street.
Lillian GISH and Wallace REID in “The Lost House,” from the story by Richard Harding DAVIS (Majestic), the Garden, 422 Ninth street.
Alma TAYLOR in “The Basilisk,” the Dixie, Eighth and H streets northeast.
Jack BARRYMORE in “The Man from Mexico” (Famous Players), the Elite, Fourteenth street near Rhode Island avenue.
Edith Wynne MATHISON and Theodore ROBERTS in “The Governor's Lady,” the Strand, Ninth and D streets.
Ethel BARRYMORE in “The Nightingale,” by Augustus THOMAS, the Casino, F near Seventh street.
“The Last Curtain Call.” Crandall's, Ninth and E streets.
Charles CHAPLIN in “In the Park” (Essanay), the Olympic, 1431 U street.
Kathlyn WILLIAMS in “Hearts and Masks,” from the story by Harold McGRATH (Selig), the Hippodrome, Ninth street and New York avenue.
Julia Swayne GORDON in “Lifting the Ban of Coventry” (Vitagraph), the Leader, Ninth between E and F streets.
William S. HART and Gertrude CLAIRE in “The Sheriff's Streak of Yellow” (Kay-Ree), the Staunton, Sixth street and Massachusetts avenue northeast.
Leona HUTTON and Frank BORZAGE in “The Girl Who Might Have Been” (Kay-Bee), the Empire, 915 H street northeast.
Violet MERSEREAU in “The Awaiting Hour” (Imp.), the Lafayette, E between Thirteenth and Fourteenth streets.
Billie RHODES and Eddie DILLON in “Down on the Farm” (Neator), the Alhambra, 519 Seventh street. Dustin FARNUM in “Cameo Kirby,” from the novel by Booth TARKINGTON (Laskey-Liebler), the Savoy, Fourteenth, near Irving street.
“Between Savage and Tiger,” (George KLEINE), the Odeon, Church near Fourteenth street.
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Note – These selections are made from programs prepared by the managers of the theaters concerned and no responsibility is assumed for arbitrary changes without notice to The Times. They are based on the personality of the players and the producing company and not personal inspection except in special cases. - G. M.